Gallery Meet & Greet
This evening The Reach Art Gallery held its formal Meet & Greet for the Fraser Valley Biennale, 2019 artists.
We were previously invited to indicate if we ... the artists ... would like to say a few words on behalf of our artwork and process. I was the third speaker out of the twelve that volunteered to speak. I think there was a total of 40 artists with juried pieces in the show.
I had a written statement all prepared that nicely fit within the two-minute time frame per artist, but when I saw the first two speak spontaneously, I ignored my beautifully prepared speech and just spoke briefly about my process and how photography is also a therapy.
Anyway, here is the speech I planned to give.
We were previously invited to indicate if we ... the artists ... would like to say a few words on behalf of our artwork and process. I was the third speaker out of the twelve that volunteered to speak. I think there was a total of 40 artists with juried pieces in the show.
I had a written statement all prepared that nicely fit within the two-minute time frame per artist, but when I saw the first two speak spontaneously, I ignored my beautifully prepared speech and just spoke briefly about my process and how photography is also a therapy.
Anyway, here is the speech I planned to give.
Speech for Fraser Valley Biennale, The
Reach Gallery
Photography historian Beaumont Newhall once said that, Over the years, photography has been to me
what a journal is to a writer-a record of things seen and experienced, moments
in the flow of time, documents of significance to me, experiments in seeing. I can truly say that a lot of what I do
photographically resonates with Beaumont's words. Photography
for me, is a whole and therapeutic experience, from the smells in the air to
the virtual sounds of industry, which in this case, reflect a hydro-electric
powerhouse. I have always been
interested in industrial photography and fascinated by the machinery
responsible for the conveniences of modern living. And with the
opportunity to work at a historical powerhouse, I was challenged to illustrate
the machine works in ways that stretch one's imagination and question the norms
of perspective that people expect to see.
I'm motivated by the "doing" of my photographic art practice,
getting out ... just out and about with my camera(s) and rolls of film in my
pockets or loaded film holders in my bag. I'm motivated by the interplay
of light and subject and the blessed opportunities to capture some of this on
film.
I also
like to stretch the capabilities of my equipment, which is why I like the Toyo
45 AII which this circular multiple-exposure image is made with. If I have options, I want to explore the
correlation between technical apparatus and creative expression. This isn't the first time I've used this
technique and I find that each time I'm excited by the results.
In closing, like Paul Strand, I hope my work engages viewers on
some plane of deeper meaning within the context of each unique piece I make.
Bob St. Cyr 22 Nov. 2019
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